The Machine That Pressed St. Louis Into Shape
June 4, 2026
Thomas Stearns Eliot is the quintessential voice of twentieth-century literary despair, the high-minded modernist poet who gave us “The Waste Land.” But his ethereal, transatlantic literary life was not funded by old aristocratic money. It was paid for by the terrifying, steam-powered compression of St. Louis dirt. His father, Henry Ware Eliot, eventually ran the Hydraulic-Press Brick Company, an industrial behemoth that took the ancient, artisanal process of brickmaking and replaced it with a machine that simply crushed the earth into submission.
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